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Studia Pastoralne
Rocznik Wydziału Teologicznego UŚ



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autor: Celary, I.

tytuł: Musiksprache als wichtiger Teil der Feier des Gottesdienstes (Umrisse des Problems)

Studia Pastoralne 14 (2018) 100-111

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słowa kluczowe: muzykaliturgiajęzykśpiew religijny

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Language of music as an important element of the celebration of the Holy Mass (overview of the problem)
Summary
The paper presents the issue of the language of music which is a very important element of liturgical celebration. First section of the article is focused on music as one of the most important components of culture and a subtle way of communication. Music has been present in human life from the beginning, during work, play and free time. Surly it was combined from the beginning with dance and words. Originally it served for practical purposes – it helped with group work as a form of communication. Later it became also element of common identity, and with time it was part of the arts.
Next part of the article is concentrated on the role of music in liturgy of the Church. Since the Apostolic Age it has been treated as a gift of the Holy Spirit, like preaching kerygma. Religious music is an art which takes its inspiration from God’s subject, His revelation in the world or different forms of religious life of the community of faith. Today, according to the teachings of II Vatican Council, the liturgy not only should be open for music from its nature, but it should demand it. Liturgical music is not only an ornament of the celebration, but it should be integrated with holy rites.
In the final part of the article, some pastoral proposition are presented which should contribute to rising up of the purpose of liturgical music: God’s glory, sanctifying of faithful and building of the community of the Church.



autor: Dyk, S.

tytuł: Hermeneutyka słowa Bożego w liturgii

Studia Pastoralne 7 (2011) 148-165

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słowa kluczowe: homiletykaliturgiasłowo BożePismo Świętelekcjonarz

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HERMENEUTICS OF THE WORD OF GOD IN LITURGY.
Summary
Bible and liturgy as sacred texts are basic, although not the only ones, sources of homilies. These sources should be analysed as closely related with one another. Homily, mystagogic in its nature and function, is preaching the mystery of Christ revealed in the Holy Scripture and celebrated in the liturgy. For in „here and now” of the liturgy redemptive events revealed in the Bible are being actualised. To a considerable extent the Bible was written for liturgical purposes. Therefore liturgy is the major exegetic place of the Holy Scripture. A preacher interpreting holy texts should be aware of this mutual intertwining of the Bible and liturgy. Liturgical hermeneutics of the Word of God takes into consideration both a sense and functions of biblical texts within liturgy. To achieve this aim the content of the Bible is compared to the meaning of other biblical texts, euchological texts as well as the meaning of signs and liturgical symbols. The Word of God in liturgy, however, is interpreted above all in the light of the mystery of Christ celebrated in the cult. The redemptive mystery itself receives, on the other hand, deeper light and understanding from the proclaimed Word of God. Hermeneutical technique analyses as well the way biblical texts are distributed within a liturgical year. Attention is drawn on this occasion to the rules of interpretation of the Word of God in liturgy, which are as follows: chrystocentrism, dynamics of acts of the Holy Spirit, ecclesiality, particular needs of listeners.



autor: Kreczmański, S.

tytuł: Sakramentarze źródłami kolekt w Mszale rzymskim Pawła VI

Studia Pastoralne 7 (2011) 377-385

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słowa kluczowe: liturgiahistoria liturgiimszałsakramentarzekolekta

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SACRAMENTARIES: SOURCES OF THE OPENING PRAYERS IN THE ROMAN MISSAL OF PAUL VI.
Summary
At every Eucharist the Church explains the revealed truths to the confessors. For this purpose it uses the ministers of the sacred mysteries. The content that is explained is, primarily, the true Word of God, because this is what constitutes one of the main sources of the Church doctrine. The second source is the Tradition. We owe liturgical prayers to it. Their present form is very different from the one which they had during the time of creation.
The extraordinary cultural enrichment of the Church is based on activities aimed at reaching the sources from which there were derived the prayers used during the celebration. These actions aim to acquire knowledge of various ways of celebrating the same mystery that Christ commanded to celebrate to the whole Church. Through the knowledge of the sources, the believers in Christ can reach deeper into the jewel of the gifts of the Holy Spirit who is always present in the Church.
Thematically the opening prayers bring the image of God, which is confessed by the Church and transmitted by means of the multi-century tradition as its greatest treasure, closer to the confessors.
The purpose of the liturgical prayers of the Church is not just a verbal confession of faith, but also its verification in life that is identified with the existentially understood faith. Therefore it appears to be necessary for the faithful to know the history of the liturgical prayer, so that it can better contribute to the daily attitude of Christians.



autor: Kuczyński, Ł

tytuł: Narracyjna rola ciała w liturgii

Studia Pastoralne 5 (2009) 291-303

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słowa kluczowe: liturgikaciałonarracja

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DIE NARRATIVE ROLLE DES KÖRPERS IN DER LITURGIE



autor: Kuligowski, R.

tytuł: Moralny wymiar troski o piękno liturgii

Studia Pastoralne 1 (2005) 174-181

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słowa kluczowe: liturgialiturgikamoralnośćteologia moralnapiękno

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DIE MORALTHEOLOGISCHE DIMENSION DER SCHÖNHEIT IN DER LITURGIE
Eine besondere Rolle in der Liturgie fällt der Schönheit zu. In vielen eigenen Aussagen ruft die Kirche nach der Schönheit im Gottesdienst.
Die Schönheit, die zumindest in einer Beziehung von der Kunst gebildet wird, bleibt vom Guten abhängig, dessen Glanz die Moraltheologie entdeckt. "Die Schönheit ist gleichsam der sichtbare Ausdruck des Guten, so wie das Gute die metaphysische Voraussetzung der Schönheit ist. Das haben die Griechen richtig verstanden, die durch die Verschmelzung der beiden Begriffe eine Wendung prägten, die beide Aspekte umfasst: «kalokagathía», das heißt «das Schön-Gute». Platon schreibt darüber: «Die Macht des Guten entflieht in die Natur des Schönen»" (Johannes Paul II, Brief an die Künstler, nr. 3). Wenn das Gute zusammen mit der Schönheit erscheint, bekommt die Schönheit eine theologisch-ethische Dimension.
In der Konstitution des II. Vatikanischen Konzils Sacrosanctum Concilium werden die Gläubigen dazu aufgerufen, an der Liturgie "bewusst, tätig und mit geistlichen Gewinn teilzunehmen" (nr 11). Das stellt an alle, die für die Liturgie verantwortlich sind, besondere Forderungen. Die Liturgie erfordert eine ästhetische Sensibilität der Teilnehmer.
Der Platz, wo die Liturgie zelebriert wird, ist der aus Steinen erbaute Tempel. Aber ein Platz der Begegnung des Menschen mit Gott - der ihn anruft: "tu dies, meide jenes" - ist das Gewissen. Man kann also von einer "Liturgie" sprechen, die sich im Gewissen des Menschen vollzieht. Diese "Liturgie" ruft nach der Schönheit des Menschen, des Partners des Dialogs, der Gott im Gewissen anfängt.
Die Schönheit hilft dem Teilnehmer der Liturgie ein geistig schöner Mensch zu sein. So bleibt die Schönheit nicht nur eine Sache der Ästhetik, sondern auch ein Problem der Moraltheologie. Die Sorge für die Schönheit der Liturgie, die der Mensch in seinem Gewissen erfährt, wird zu einer ethischer Pflicht.



autor: Misiaszek, K.

tytuł: W poszukiwaniu charakteru języka w katechezie

Studia Pastoralne 2 (2006) 95-103

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słowa kluczowe: katechezakatechetykakatecheza w szkolejęzyk religijny

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NELLA RICERCA DELLA NATURA DELLA LINGUA NELLA CATECHESI
Il linguaggio della catechesi diventa oggi una delle questioni principali per comprendere tutto il processo della trasmissione della fede. Se e vero, che ogni persona ha il diritto di sentire il messaggio del Vangelo nella propria lingua e secondo il suo linguaggio, dovrebbe nell'incontro della fede incontrarla per mezzo di un linguaggio semplice, iniziale, comprensibile, primo di tecnicita… Cercando la vera natura dell'linguaggio della catechesi incontriamo soppratutto il simbolo (metafora, parabola, mito…), il linguaggio simbolico, che corrisponde con la natura stessa della religione, molto diverso da quello oggettivo-descrittivo. Questo linguaggio e pero altamente apprezzabile e umanizzante, e presenta in modo reale una critica e contestazione della unilateralita e degli aspetti antiumani della cultura contemporenea. E anche capace di far aprire la porta del mistero, che e una delle mete principali del processo dell'inizziazione cristiana. Esige pero la necessita di conoscere tutte le regole della interpretazione o dell'ermeneutica per far abilitare a leggere i testi bibblici, fonti principali della catechesi e dell'insegnamento della religione cattolica nella scuola.



autor: Reginek, A.

tytuł: Co i jak należy śpiewać w ramach liturgii?

Studia Pastoralne 12 (2016) 49-60

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słowa kluczowe: muzykaliturgiaśpiew religijny

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What and how to sing in the liturgy?
Summary
The state of liturgical music still rises mixed feelings among those who are engaged in the celebration of the holy ceremonies. Half a century has passed since the Second Vatican Council introduced documents concerning the new shape of liturgy, also in the field of music; and a retrospective view of this issue indicates positive phenomena and examples, but at the same time exposes faults, malpractice and negligence. The present teaching of the Church in the field of liturgical music points out three important criteria which decide about the appropriate shaping of songs and chants: (1) melody united to the words, (2) care about the artistic value and (3) appropriate character and style of the work to designed for sacred action. The role of sacredness and the close connection with the liturgical action in church chant has been consistently emphasized. Songs and for liturgy must not be chosen at random; also the way of singing and perfection of performance are important. The appeal, directed to composers of sacred music, for new works pertaining in their texts to a specific topic of the day or a specific liturgical action remains always relevant.



autor: Sodi, M.

tytuł: Mszał Piusa V. Dlaczego Msza św. po łacinie w trzecim tysiącleciu?

Studia Pastoralne 5 (2009) 323-354

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słowa kluczowe: liturgikaMszał Piusa Vjęzyk łaciński w liturgii

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IL MESSALE DI PIO V. PERCHÉ LA MESSA IN LATINO NEL III MILLENNIO?



autor: Szewczyk, L.

tytuł: Muzyka „najszlachetniejszą służebnicą” liturgii. O muzyce jako źródle i tworzywie kaznodziejskim

Studia Pastoralne 12 (2016) 36-48

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słowa kluczowe: liturgiamuzykakaznodziejstwo

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Music, “the most noble servant” of liturgy. About music as the source preaching matter
Summary
Music can help man in prayers and make him sensitive to the matters of God. Today, in the times of low level of a general culture of the society we can perceive a danger of misunderstanding the need of music in liturgical rites. This state of affairs imposes duty to foster musical culture in our churches, so that music performed at our churches is of the most perfect form possible. If the aim is met,music shall become a tool for transmitting faith. This task is also to be taken on by homilists and preachers. In this paper music is shown as the source and matter of preaching the Word of God. The place of music in particular preaching units has been discussed (homilies, sermons and conferences). Also, the author points at dangers of misuse of music in preaching the Word of God. The paper is concluded with proposals and suggestions.



autor: Żądło, A.

tytuł: Tematy teologiczne liturgii i pobożności ludowej w Adwencie

Studia Pastoralne 1 (2005) 158-173

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słowa kluczowe: Adwentpobożnośćliturgia

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TEMI TEOLOGICI DELLA LITURGIA E DELLA PIETA' POPOLARE IN AVVENTO
L'impulso, da cui e' scaturita l'elaborazione dell'articolo sopra presentato, era la convinzione nell'autore della mancanza di uno studio riguardante l'influsso ispiratore della liturgia sulla pieta' popolare e della sua risonanza nelle concrete forme di tale pieta'.
Era importante osservare come proprio nel punto di convergenza tra il menzionato influsso ispiratore della liturgia e la sua risonanza nelle diverse forme della pieta' popolare diventa possibile recepire la tonalita' dei comuni temi teologici, riecheggianti sia nella liturgia della Chiesa, sia nella pieta' popolare - vissuta in privato o in comunita'.
Nell'articolo si esaminano i testi liturgici di Avvento e le forme della pieta' popolare praticate in questo periodo liturgico. Sia tali testi che tali forme si basano sugli stessi fondamenti, radicati sui seguenti tre pilastri:
- L'Avvento e' un periodo di conversione, alla quale spesso ci richiama in questo periodo sia la liturgia - con la voce dei profeti, soprattutto con quella di Giovanni il Battista, sia la pieta' popolare - con il suo abbondante linguaggio simbolico-espressivo (il filo della conversione e' presente nella liturgia e nella pieta' popolare);
- L'Avvento e' un periodo di gioiosa speranza, la quale suscita nei cristiani la convinzione che la salvezza (portataci dal nostro Signore Gesu' Cristo) e le realta' della gloria futura (gia' presente nel mondo per la grazia salvifica) raggiungeranno il loro compimento. Grazie a cio', l'attuale promessa si trasformera' nel reale possesso dei beni eterni e la fede si configurera' nello stare "a faccia a faccia" davanti al Signore (il filo della speranza cristiana e' presente nella liturgia e nella pieta' popolare);
- L'Avvento e' un periodo di attesa vissuta come preparazione alla commemorazione liturgica della prima venuta del Salvatore nel mondo ed al suo ritorno glorioso - come il Signore della storia e il Giudice del mondo (il filo della vigilanza e' presente nella liturgia e nella pieta' popolare).



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